The film starts on a slow note and does not have the great pace or thrill that the thrillers have. Though the twists are good, the manner in which they are unraveled is not that great. The camera work and production design are quite good. The twists showcased in the end are also passable. More elevation and screen time should have been given to her. The story runs on him and he does a very good job in holding the screen for the most part.Ĭoming to Nayanthara, she has done a good job but her role is not that great.

But the main highlight is the boy who played Nithin. The way his role has been etched is also good in the film. Kunchacko Boban does well in his investigative role. How is Nithin managing to tell these stories? What is Sharmila’s connection to all this? and what is the whole mystery about? That forms the story. John finds Nithin’s stories interesting and gets a shock when he comes to know that some stories have happened in real life. One of Nithin’s classmates reveals this quality to his dad, John Baby(Kunchacko Boban). Sharmila(Nayanthara) lives alone with her eight-year-old son Nithin who has the knack for telling crime stories to his classmates. The film is out on AHA and let’s see how it is. Pillai, Ginesh JoseĬontinuing the trend of reviewing shows and movies on OTT, today’s film is Needa, the Malayalam dub film starring Nayanthara. Guitarist Pål Waaktaar-Savoy is a controlling presence.Starring : Nayanthara, Kunchacko Boban, Divya Prabha, Rony David, Lal Keyboardist Magne Furuholmen still resents being booted off guitar back in the 80s. Like all the band, Harket has got his personal demons: he’s a perfectionist who instantly reaches for the hand sanitiser after meeting fans (this was filmed pre-Covid, apparently).

Now he looks like the dishy doctor from a daytime soap, still impossibly chiselled.

Back then, the band’s singer Morten Harket smouldered like a sensitive misunderstood bad boy. To anyone over 45, no introductions are necessary: a-ha is the band whose single Take on Me reached No 2 in the UK charts back in 1985 (it’s still a knockout pop tune with the crack-cocaine of riffs). Watching this 40th-anniversary documentary, you might conclude that what a-ha really need is a band therapist, not a photographer.įour years in the making, a-ha: The Movie is the comprehensive story of the Norwegian trio (about 20 minutes too comprehensive for all but diehard fans). Here’s the poor guy after a particularly awkward, everyone-gritting-their-teeth photo shoot: “It’s very hard as a photographer when people don’t want to be together. I t’s got to be one of the worst jobs in showbiz: being a-ha’s official photographer.

Parinayam movie review aha